AUTHOR:Roy D Hacksaw
Roy D Hacksaw
For a council house kid from the middle of nowhere in the early eighties, the only real method of expressing yourself after leaving school was to shout very loud and bash things in a punk rock band. After stints in the nearly successful outfits DATWMF, the Beach Bums and the Cesspit Rebels, Roy remembered that an old English teacher told him he could write a bit and started up the fanzine Xerox Heaven, which was mostly about other fanzines. From there on he stumbled about doing the occasional writing gig before he found himself in London at the turn of the century editing an early student lifestyle website for Jim Kerr out of Simple Minds. That’s when he realised that he could probably start doing this larky for a living. Since then his journalistic highlights have included reviewing a noise festival in Shanghai for Metal Hammer, reporting from every Eurovision Song Contest since 1998, and answering the readers' letters in Disney Princess magazine in the voice of Jessie The Cowgirl from Toy Story.
More recently he’s turned his hand to documentary filmmaking, and his first short film, The Bard’s Wife, was nominated for a dozen awards at festivals worldwide, and won a runners-up gong in the Whicker’s World Foundation Awards at the Sheffield Doc/Fest in 2017.
On top of that, he’s a retired semi-professional game show contestant, having appeared on shows as varied as The Weakest Link and Fifteen To One, via The Chase and Total Wipeout, to University Challenge and Mastermind, where his specialist subject was the children’s TV series Trumpton. In a case of poacher-turned-gamekeeper he now writes the questions, most notably on Tipping Point where he became the most prolific writer in the show’s history.
But he’s still happiest when he’s making a right old racket on stage in a dirty pub front of a handful of people, and is currently a member of the veteran bogroll-chucking duo Hacksaw, Bristol noise rock merchants GlueHorse, and the newly reformed eighties punk legends Chaotic Dischord.
He has absolutely no idea how he keeps getting away with all this nonsense, and fully expects to get found out for the chancer he is any day soon.
Roy was inspired to write Bugger Banksy after the illusive artist chucked up an artwork opposite his local chippy for Valentine’s Day, and he watched the unwelcome chaos that ensued for the unfortunate souls that lived on the other side of the wall.