Earth Island Books is an independent book publisher.
We work with a punk rock ethic which has resulted in a varied catalogue of wonderful titles on alternative subjects.
We publish genre defining books and for us,
quality is more important than quantity.
We are incredibly proud of our publications
and of the authors with whom we work.
Working alongside Engineer Records, an independent, alternative record label with over 300 rocking releases,
Earth Island Books has produced some compelling reads ranging from fiction to music to history. There's some really exciting new titles lined up. Take a look, get in touch!
Ian Glasper has been writing about punk since 1986, when he first started his own fanzine, ‘Little Things Please Little Minds’. Although it only ran for five issues, it helped him realise that he could indeed string a few words together, and gave him the confidence – in the early Nineties - to start writing reviews for Record Collector, and a hardcore punk column for Terrorizer, the extreme music magazine that he contributed to for the next twenty years. You hold in your hands one of two volumes collecting every single one of the 350+ interviews he did for Terrorizer during that time.
In 2003, he got fed up of reviewing books about the Sex Pistols and The Clash, and decided to write a book about the particular era of the UK punk scene that was closest to his own heart, the second wave of punk during the early Eighties – or UK82, as it became more affectionately known. The resultant ‘Burning Britain’ tome, published by Cherry Red in 2003 to much critical acclaim, flew o the shelves and is now widely regarded as the definitive document on that period.
It was followed by ‘The Day The Country Died: A History Of Anarcho Punk 1980 – 1984’ (2006), ‘Trapped In A Scene: UK Hardcore 1985 – 1989’ (2009) and ‘Armed With Anger: How UK Punk Survived The Nineties’ (2012). After then covering the last forty years of UK thrash metal with ‘Contract In Blood: A History of UK Thrash’ (2018), Glasper joined the Earth Island Books family and gave us 2020’s celebrated ‘The Scene That Would Not Die: Twenty Years of Post-Millennial Punk In The UK’.
During the whole of this time, Glasper has also been busy writing, recording and touring with his own punk and hardcore bands, keeping his finger firmly on the pulse and staying in touch with the grass roots DIY element of the punk scene that so drew him to it in the first place. Since 1983, he has played bass for Ammonia 77, Decadence Within, Burnside, Stampin’ Ground, Human Error, Suicide Watch, Flux of Pink Indians, Freebase, Betrayed By Many, Thirty Six Strategies and Warwound, and he currently plays with Bristol-based anarcho punkers Zero Again and Midlands-based progressive thrash metal band, Sun Of The Endless Night.
A father of two, and a lifelong vegetarian/vegan, he writes for Bass Player, Down For Life and Fistful of Metal magazines, as well as regularly penning liner notes for retrospective punk and metal releases. He is currently hard at work on a full book about everyone’s favourite UK punk band, Subhumans.
IN THE PRESS
The Scene That Would Not Die
by Ian Glasper
"And the bands, what an amazing collection! Diverse geographically, diverse in terms of members, diverse in terms of definition of what ‘punk’ means to them and diverse in terms of time period – some date way back, way, way back to the very dawn of the scene."
Issue Punk Zine